Never one to dress up his religious work in ostentatious garb, Arvo Part has selected the most severe, Passio Domini nostri Jesu Christi secundum Johanne. Find album reviews, stream songs, credits and award information for Arvo Pärt: Passio – The Hilliard Ensemble, Paul Hillier on AllMusic – – Pärt’s long-form . Passio est la première grande fresque pour voix et orchestre d’Arvo Pärt dans le style tintinnabulant et demeure encore aujourd’hui l’une de ses oeuvres les.

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Michael George’s rich bass for the solo part of Jesus, for example, and passioo David James, who sings some high, exposed passages within the Evangelist quartet with ease and great beauty.

For the turba, the pitch center is again E.

Arvo Pärt: Passio

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And then at the very end, advo for the very end, at the critical moment when Christ is on the cross and is about to die, suddenly, the four Evangelists come together on one unison A-note.

He eventually finished the work in and it was published in Articles containing explicitly cited English-language text Pages containing links to subscription-only content Wikipedia articles with MusicBrainz work identifiers. The Prizes Bachtrack, 17th December.


Despite its tight musical construction, the work has a powerfully direct impact. How to add your events to Bachtrack. It is also a piece that seems tailored to their individual voices: Peace upon you, Jerusalem. Paul was Reviews Editor at Bachtrack from to February Pilate’s part is the most unstable in the piece, created in part through the use of an M-voice centered on B and a T-voice centered on F a tritone apart and through the refusal of Pilate to be either a T-voice or M-voice, always alternating between these two roles.

What gives the setting its form and principal variety is, of course, the Biblical text, which avro with uncanny radiance at the heart of the music.

Arvo Pärt: Passio – The Hilliard Ensemble, Paul Hillier | Songs, Reviews, Credits | AllMusic

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A bass soloist sings the words of Jesus, and a tenor those of Pilate; both are accompanied by the organ.

Retrieved from ” https: Skip to main content. The work ends with a Conclusiogiven like the opening Exordio by organ and choir, only now in the key of D major, thus giving a resplendent feel to the final words and concluding Amen.

And it was performing Passio, coming to know and understand Passio, that sort of sealed our relationship — the realisation that this is really something unique.


Our privacy policy was last updated on Friday 25 May View it here Dismiss. The alto and bass voices, again always playing an M role, are mirrored, and the soprano and tenor T-voices alternate above and below the M-voices. The choice of St Jude’s, a richly resonant church, was inspired; the wind one may variously interpret as a startingly appropriate accident or as an act of God.

Pärt Passio |

Authority control MusicBrainz work: The later twentieth and twenty-first centuries have seen a renewal of interest in the pqrt, with notable settings by Krzysztof Penderecki St.

Integral text of Passio in Latin and English. The word has also come to be all but synonymous in music with its two greatest exemplars: For the role of the Evangelist, Part writes for a mixed consort of four soloists accompanied by instruments.

Passio has a very important place in our musical heritage as the Hilliard Ensemble. Tonally, the work centers on a series of overlapping fifths: Jesus, baritone Pilate, tenor evangelists: I have read the data protection statement and agree to its validity.

John Passion is a through-composed setting of the text of John 18—19, preceded by a short introduction Exordio and followed by a brief conclusion Conclusio. Views Read Edit View history.